Los riesgos de la fotografía de viaje


Los Riesgos de la fotografia de Viaje. Parte I.


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Los riesgos no son los que nos cuentan: no nos va a devorar un tigre y es poco probable que te atraviese la lanza de un salvaje. "Salvaje" que, por cierto,  ya no usa lanza, sino "Kalashnikov",más limpio y seguro; que en eso la sociedad de consumo también ha hecho lo suyo.

Unas veces consiste en tomar té en unas tazas de dudoso aspecto - por decirlo de una manera elegante- y de color poco tranquilizador. Otras en recibir "Agua Bendita" del Ganges en plena cara. Las más, transladarte en unos taxis oxidados que no conocen lo que es una inspección técnica.

Viaje Fotográfico a La Habana. Nomad Expediciones. Vídeo


Este es un pequeñísimo video de un viaje fotográfico a  La Habana con un homenaje a algunos de los fotógrafos/viajeros que estuvieron conmigo .  Fueron unos días extraordinarios....


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Travel Photography, the seven rules to take goog blurred pictures



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Travel Photography: The 7 Rules to Take Good Blurred Pictures

 
Harry Fisch


Harry Fisch. – Bath in the Ganges at night

(Publicado en la revista USA SLR LOUNGE)

Taken on occasion of a Nomad PhotoXpedition Workshop in  Varanasi, at 5 a.m., this photograph manages to reflect the magical moment of bathing on the banks of the Ganges. Being obsessed with definition and light might have spoiled such an extraordinary shot. Beyond aesthetics and composition, common to every photographic activity, technique plays an important role in this kind of pictures.


Rule # 1: There Are No Rules

Creativity rules, actually. There are photographers such as Antoine D'Agata who turn blurry photographs into a form of expression, almost the author's signature.

Others like Mc Curry use it only in specific situations to signal movement. The appropriate speed doesn’t actually exist, unless you can repeat exactly the same conditions

Tips and Secrets of a Travel Photography from Harry Fisch


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 See this article just published in LSR Lounge



Travel photography often requires efforts and planning, in addition to technique.

I am going to share with you some of the techniques for approaching people I have developed after years of experience of taking photographs  with Nomad Photo Xpedition at the most remote locations around the world.

It took me three two-hour sessions at 5:50 am on the banks of the Ganges at Varanasi to make a Sony World Photo Awards finalist. In midst of the mud, of the fog and of masses of pilgrims...

Whenever I organize a photographic journey with Nomad Photo Xpedition for my clients, I reserve about five days, at the end, for my own photographic work.

On such a trip, a small oversight or lack of planning can ruin much of the adventure. The loss of a battery charger has spoiled the day for more than one photographer who finds himself just somewhere in the middle of nowhere. Not to mention shattered memory cards or the worst of all, a broken camera.
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